Category Archives: Teaching Ideas

Weekly Gaucho Podcast – Try Something New

You may not know that GCC has an unofficial student podcast. In this bonus episode for the Weekly Guacho podcast, I explain a little bit about the podcast and how I get students to contribute episodes as part of our journalism class, JRN213: Writing for Online. You can visit our blog and podcast here: http://weeklygaucho.com/?s=podcast

Students are very creative when given the opportunity, so my message to you is to “just jump.” Try something that might make you nervous for fear of failure. You’ll be surprised by what can happen. If you’re interested in trying it, I added the podcast assignment to Canvas Commons, so you can download it to your class and try it out.

And for an added bonus, here’s a link to my favorite student episode from Season 5.

 

A Balancing Act

A Little of This – a Little of That

One of my goals as an instructor here at GCC is to improve students’ listening skills. Most of the time I do this without them consciously knowing it. That sounds rather odd. It’s not that they aren’t conscious, but they may be distracted — paying attention to other things — while improving their listening at the same time.

I ask questions that I hope will make them think about what they listen to in their every day life. I ask them to describe what they are hearing and what their first reactions are. I’ve found if I can include visuals they will listen a lot longer and understand more clearly what the music is trying to convey. I have discovered that students start paying more attention to everything that is part of their listening day, and that is my intention.

One of the questions I often ask is “Do you listen to orchestral music?” Most students answer, “No, never.” I then talk a little about film. Do they watch films? Again, most of them say, “Oh, yes, I watch movies all of the time.”

With that they usually realize that they have listened to lots of orchestral music. Here’s an example: Composer John Towner Williams (we have learned through trial and error that there are a lot of ‘John Williams’ out there so I have become accustomed to using his middle name just to make sure we are all talking about and listening to the same guy), who has had the temerity to scare us out of the water, share the feeling of flying under all sorts of conditions, whether on a broom, a bicycle, or as a bird, and show us the martial qualities of The Dark Force. I chose this clip because of the content, the audience reaction, and, in this case, not for the visual images, which are slightly blurry. The answer to your question about the first instrument you see is – a contrabassoon. This is as iconic as Bernard Herrmann’s strings in Pyscho, but I digress. One of these days someone will re-master it and it will be clear — but in the mean time, I dare you to stick your toe in the water….

Williams’ Jaws

Known for many different kinds of music, Elmer Bernstein’s music has been patriotic and poetic. Here is a well-known theme. I usually choose something from the film “To Kill a Mockingbird,” but you should all be familiar with this.

Elmer Bernstein’s National Geographic Theme

There are a number of others I could have included if we were learning some specifics, but I thought it might be interesting to simply poke a little fun with Vangelis:

Mr. Bean with one of my favorite conductors – Sir Simon Rattle

I hope you enjoyed the listening.

Apologies for any advertising that may have appeared. In Canvas this does not show up.

 

Inclusivity – Who is In, Who is Still Clueless

Faulty Assumptions….

I received an insurance notice the other day from a company with whom I’ve been doing business for decades — many decades. What caught my eye was the fact that it was in my husband’s name, not his and mine, not a version of the two, just his – as if I didn’t even exist. (We do not share the same name. When we married and I was asked what my name would become, I wrote out the name I was born with. Yes, it’s a difficult name, but I’m sticking with it.) But to assume that because I am finally (italics, for my mother) married and that all of my business correspondence should now be in my husband’s name is a bit presumptuous. Is this recent? No, we’ve been married 25 years. One would think after 25 years this would no longer be an issue. Haven’t we made more progress socially? I assumed we had. I guess I was wrong.

And speaking of presumptuous: Not only did I receive a notice for insurance that used to be in my name since the late 1980s, when I recently received a health insurance card from my husband’s employer the issuer ASSUMED and put down my husband’s last name next to my first. Excuse me, not only is that not legal, but it is incompetent. I was not asked, and neither was my husband. Please, let me go on — but I won’t.

Are my husband’s feelings hurt because I didn’t take his name? Not a whit. I would never have married him if his ego was so easily bruised.

A Rose by any Other Name

Now, putting assumptions and names aside for a minute, a rose (or Puffin, in this case) by any other name, and all of that, let’s get back to our primary subject DIVERSITY. Diversity is vested in INCLUSIVITY and ACCEPTANCE. What was all that about a name? If you can’t even get that right, how are you going to get any other elements of diversity correct? We are still assuming or presuming wrongly, on some of the most basic things.

I know all of you will do a great job at including a list of everything and everyone that should be part of diversity. I am proud and confident of that statement and will leave you to it – because I’m going for something different.

As an instructor teaching about American and world cultures I am hyper-aware of inconsistencies when talking about culture and people – especially when it comes to research and portrayals of different kinds and types of people.

Researchers have gone into difficult areas of the world in order to make recordings of people’s music they knew nothing about. Unfortunately, at times, that has also included some general assumptions that the people they were studying lacked civilization. In whose world? Who gets to say? Yes, I’m making a broad-based assumption. That used to be a fact more than it tends to be today. I am forever thankful for researchers doing these difficult things, taking these difficult journeys. I just want to make sure that we don’t make assumptions based on “facts not in evidence.”

Let Them Communicate

If we strive to make sure that all groups are included, which is part of my goal, then we need to make sure that all people are respected, as well. It’s not enough that they are in the room. I’ve watched people be placed or allowed “in the room,” and then thoroughly ignored. Not only do these individuals need to be part of the conversation while they are there; but when they aren’t there, the conversation needs to act as if they are. It’s amazing what kinds of insights these individuals can bring to the conversation if only someone would care enough to listen. The scions of culture (okay, I admit to a little sarcasm here), TV, the classroom, film, books, and multimedia, need to refer to everyone in the same manner – – respectfully. That includes written dialogue, how one speaks to others and about others, and doesn’t always go for the punchline – especially at someone else’s expense.

I still hear “you do such and such like a ____________________ fill in the blank for the disparaging remark aimed at gender, ethnicity, age, ability, et cetera. I was watching a favorite movie not long ago, one I’d always loved with dialogue elements at their finest, but I gasped when I heard the expression “Are you learning impaired” as a joke. I was sick with disappointment that one of my favorite screenwriters stooped to such a cliché. As long as people are encouraged to make fun at others’ expense, whatever difference, we will not truly have a diverse and cohesive cohort – whether they are present or not. In the meantime, I will never be able to watch that film again.

Two Difficult Groups

I’d like to leave you with two thoughts, and they don’t have to do with names, but identities; Two groups who are largely ignored, dismissed, and forgotten. They are:

  • People over 50, yes, 50, – the aging population (I know you don’t believe me, but it’s very true)
  • The Cognitively Disabled (I know you’ll believe me on this and you’ll start with .…but – I want you to hold that ‘but’ in.)

Yup, I’m aiming deep. The aging population, in general, is dismissed, mocked, and ignored. The cognitively disabled is a difficult group because every individual is different – differently abled, and different thinkers.

Several Roses in a Cohort

Temple Grandin has a great way of putting those on the autism spectrum (to name only one segment from the cognitively disabled) into a more robust point of view. She believes that it takes someone on the spectrum in order to change and move society through discovery and innovation.

Discovery and Innovation, two of my favorite power words. If you don’t know Dr. Grandin, yes, she’s on the spectrum, as she believes many who have invented and created throughout history have been, you should look up her work in the cattle industry – or on autism. She could have been shunted aside as being different, or seeing things in a different way. I agree with her. Perception or changing perspective can make all of the difference in the world. That has been her métier.

So, two difficult groups that have so much to offer society – still. Don’t assume these individuals can’t do it – assume they can with the right circumstances. I think what surprises me the most is how these two groups are constantly underestimated. How can we let people who are in their prime with their knowledge and their expertise be dismissed so easily. I can only assume it has something to do with guilt by association. No one wants to be old and ignored. No one wants to be young and cast aside, where people are afraid to let them try. I have connections with both of these groups of people and have been watching this for years – trying to keep my finger in the dike. What a waste of their talent. Don’t leave them off the list.

Don’t Leave Them Off the List*

*Many thanks to the (GOP) Group of Puffins who lent their Images for this Writing. (No Puffins were harmed or even slightly disturbed on behalf of this document.)

 

Can We Live Without Risks?

A statement someone made recently jumped out at me. They said they rarely take risks. I was amazed. I consider myself a very careful person, but I often feel like my risks are the challenges I take on. Of course, I’m not talking about doing anything like this!

Perhaps it’s the definition of the word risk [enter student’s clichéd discovery of dictionary definition to make written assignment longer]. Wink

I see risk as a transition and an opportunity. Now, if the risk doesn’t have that element, I won’t do it. In some ways, we all take risks every day. There are certain risks I simply won’t consider, the consequences are just too costly.

Professionally, I was always taught to say ‘yes,’ if you want to work. People want to know that you will say ‘yes,’ when they ask. It saves time for those hiring. That’s a musician’s point of view. It’s the way you keep getting more opportunities – or, for those who prefer less formal constructs – How you get more gigs. Regrets, yes, certainly. I said ‘no’ to a really good opportunity, which was a risk, because I was just getting married (hence, already in the midst of a transition) and didn’t want to spend my honeymoon thinking about the project and risking the beginnings of our marriage… I’ll always think about where that job might have led. But see, once again, I keep going back to the positive-negative balance of risks.

And I’ll admit to some positive/negative possibilities. I’ve walked into a classroom and spoken completely ‘off the cuff,’ which is definitely a risk. It’s not that I hadn’t thought about it. I had. I know my subject deeply. Some of those have been my most inspired lectures, but occasionally, they have not. It’s a risk.

How about classroom management? I had a student who sat in the front row of class and never took a note. (This is a room that is set up as a lecture/recital hall, so down in front is noticeable.) In fact, he came in without anything – no books, no notebook, no pen/pencil or computer. Nothing. An instructor would assume he didn’t come prepared for class. And we’ve all had those students who obviously weren’t. Did I mention this was a long lecture format? The class was two hours and twenty minutes long. Should I say anything to him? He wasn’t disruptive, and he did well in the subject. One day he came in with a Rubik’s cube. I saw it, but chose not to say anything. As the lecture was finishing I just happened to look over at him. He subtly showed me his work by merely opening his hand. It was finished, and it was perfect. He hadn’t been disruptive to anyone, he didn’t show anyone else, I hadn’t been interrupted by what he was doing, but it allowed him to concentrate on what we were talking about. A risk, and a reward.

Deeper Risks

I could stop there, because it would be a great place to end – but I’m going to “risk” it and go heavy. As I mentioned earlier, we take risks every day. Driving, flying, walking down a set of stairs, saying something that you wish you hadn’t. I never discuss politics. I’ve gotten to where I rarely offer comments – especially to the entire world on any of those fronts.

But I’m going to include the world community and the risks people are facing today because we need to be talking about this in our classrooms. These are the ultimate risks because they are about basic human needs. This is not something that is happening somewhere else. It will ultimately affect us here. I was just reading an article about the fact that many Russians are also leaving their homeland, just as many Ukrainians are – except those who choose to fight. There is a general surge of people trying to survive with some semblance of their lives intact. In the article, the author referred to a family’s current residence, a shared room with three mattresses on the floor. The people had a roof, they had mattresses, a floor, running water, and they still had some money. They had been well-to-do so such living conditions would not have been acceptable in their previous life, but under the circumstances they knew they were lucky. They calculated the risk and felt they’d come out ahead considering the cost.

I first saw evidence of the collapse of the Soviet Union in the 1990s in Sweden. I ended up working with two Russian musicians as part of a Swedish quartet. There were interesting cultural flare-ups that surprised me. But like other recent mass emigrations, everyone was, and had been, fleeing for their lives. It’s amazing what we are willing to risk when we feel that we have little left to lose or too much to lose – our lives or our children’s lives.

In Estonia, ten years after the last Russian troops slowly left, I moved there, and in my research I learned more of Stalin’s ’round up’ of people. Sometimes there were lists, sometimes just numbers. ‘Take this number of people. I don’t care who.’ They disappeared or went to gulags. Often, no one ever knew whether they were killed outright or just never seen again. How can you live with that threat? I was part of an interview team to determine whether a young Estonian man would study in the U.S. when he talked about the importance of the NATO alliance to his country. I knew about NATO. It also meant, in couched terms, the U.S., from where funding came for this prestigious scholarship. I occasionally thought about NATO – but not to the extent that this young man understood it because the Estonians had few defenses against the Russians on their shared border. We, as Americans, have the luxury of a different point of view.

Before I sign off, I want to mention that moving people, their craft, their professions, their influences, and their cultures affects everything. It affects the arts, music, the humanities, science, technology, engineering, people, and even education. Would you stay or would you go? Ultimately, when we talk about risks, these are the most critical risks to discuss. I truly believe as educators everything we do counts, but we are also lucky that we can talk about risks that are so relatively ordinary when others face risks that are so tremendously devastating.

 

Faking it

When was the last time you saw a film or television show where someone was supposed to play an instrument or sing well?  When that moment of reckoning occurs I always hold my breath and wait for the tell.  The tell is the point where it is clear that the actor is faking it.  That actor may be faking it successfully or poorly – or, of course, the actor may actually be a musician, as many are, and is not faking it at all.   But if faking does occur, an editor often gets involved to fake it further.  We see, we listen, we constantly assess.

When we assess students isn’t this ultimately what we are trying to determine? Are they faking it, or do they know and understand the material? As a musician, do they know how to play musically or are they simply playing the notes?

When we assess aren’t we also looking for those who fake it well?

One of the jokes among instructors of applied music (performing music) is when the teacher corrects the student and the student says, “Well, I just don’t understand. It sounded perfectly fine in the practice room.”

What that means is that most of the time (not all) the student can’t tell the difference and is, ultimately, faking it.

Fake It ‘Til You Make It?

I remember a student who was excellent at mimicry. I learned never to play a piece for her because she had too good an ear and could fake it. The problem was that she could not read music. She was a good pianist but when asked to play something that she misheard or ostensibly misread because it was incorrect she could not “replicate the results.”

I have tremendous respect for her because she had been playing for many years and had to face the fact that not only was she faking it but she had to face the degree of how much she was faking it. If she wanted to continue lessons she had to re-learn how to read music after many years of classical piano lessons, her chosen genre.

There is a part of me that thinks she always knew how much she was faking it but she had choices moving forward. She could have stayed at the level where she was because she could fool many. She could have gone on her merry way and continued to play the way she did. She could have walked away and given up. Music was not her major so that might have been the easiest choice. She chose instead to go back to the basics and learn how to read music. It was a daunting task and I commend her for her perseverance. It was a lesson in patience because, in this case, one does not fake it until you make it. She’d already been down that path.

Two Studies that May Surprise You

I love surprising students (not that you are students) so I leave you with two listenings of people who are not faking it – or are they? In the first example, Bence Peter’s Fibonacci series moves to a video image which allows him to re-sequence the series so that it can go backward, using digital editing. This video clip often offers my students a new “take” on music and they are surprised because they are hearing something different. If you are using speakers, turn them up. In the classroom, I usually turn off the lights.

The second video clip shows an interesting twist on talking and singing where he includes the spoken word. Is he having trouble or is he faking it? Here is Al Jarreau.

 

Inclusivity on campus, three lessons LEARNED

As someone who has been ever watchful of inclusivity for nearly twenty years, I see this topic as a hopeful step.  In the classroom, I am always mindful of those who march (or dance) to a different drummer and some of the lessons I’ve learned from it.  I like to think that I am respectful and try to champion everyone’s accomplishments.  One of the things I’ve learned more recently is to be quieter.  Championing is sometimes better when it is sotto voce.  Here are three lessons of the many I have learned over the years.

I had one individual who sat all by himself in the front row of my classroom of about fifty. He never took a note but listened as he kept his hands busy.  One afternoon, just as I was dismissing the class, I realized that on that day he had been working with a Rubic’s Cube.  What I didn’t catch until nearly everyone was gone was that he had perfectly aligned the cube by the end of the class period and was just sitting there waiting for me to notice.  I wanted to be able to announce this to everyone! How many of us have tried and failed at this?  But, I realize now, he may not have wanted this kind of attention.  Lesson learned.

I had a student in one of my Honors Classes who would not look me in the eye.  He would talk to me and answer questions and was paying attention.  But I had not learned enough about all of this yet.  Having been an advocate for all things spectrum I kept trying to catch his eye.  I finally caught it one day when he was leaving the classroom.  But it was not a moment of jubilation.  If anything, he just wanted it not to matter.  Lesson learned.

The one individual I have worked with the most is the one that has come the farthest.  I’m told he weighed less than one and one-half pounds at birth.  It’s amazing how babies have an innate sense of fighting for their lives. This young man worked on executive skills and impulse control, transitions and focus. He’s worked on the hope that he wouldn’t be bullied and stood up for himself when he was.  He has had fabulous medical and educational help to teach others what he needed at every step.  One physician stated that the college administration would never have any idea how far he’d come. They would only see what he is today.  If only they knew what he’s fought just to get to this moment.  Lesson learned.

 

Flying Books Deliver Daily Inspiration

This is my reality: All day…every day, books fly through the library and ultimately land in my hands. It’s as if these items take flight from the book stacks and land right on my desk… This experience of coming into direct contact with countless, random books every day inspires me tremendously. I wish I could track how much I’ve grown and learned, professionally and personally, since I joined the GCC Library family. Working in Access Services at an academic library is certainly a dream come true for a bookworm like me. A sample of our library’s extensive collection materializes each day. On every horizontal surface, books perch patiently, inviting me to take a closer look.

The written word speaks to my soul. Spoken words are fine, but reading words on a page transcends an auditory experience. Silent and deep, books change my life, one sentence at a time. Each book feels like a stepping stone. Or maybe more like shells on the beach…I ignore most, but certain gems capture my attention. In the same way, some books go unnoticed while others introduce me to a perfectly-timed message with lasting effects. It’s magical actually.

Momentary, random encounters can yield deep thoughts.
Recently I found the words of Octavia Butler and Brian Bilston.  In the library, inspiration is just a page away…

Refugees by Brian Bilston

They have no need of our help
So do not tell me
These haggard faces could belong to you or me
Should life have dealt a different hand
We need to see them for who they really are
Chancers and scroungers
Layabouts and loungers
With bombs up their sleeves
Cut-throats and thieves
They are not
Welcome here
We should make them
Go back to where they came from
They cannot
Share our food
Share our homes
Share our countries
Instead let us
Build a wall to keep them out
It is not okay to say
These are people just like us
A place should only belong to those who are born there
Do not be so stupid to think that
The world can be looked at another way

          (now read from bottom to top)

 


 

An Ounce of Prevention to Stop Cheating

studentcheatingCheating and plagiarism are common and unfortunately prevalent parts of the academic environment. Some data suggests that 60-70% of undergraduate students admit to cheating on written work or tests. Cheating is not limited to a certain type of student, and data supports that academically high-achieving students and low-achieving students cheat at the same amount (Encyclopedia of Educational Psychology, 2008). Research has varied about if age, marital status, or other demographics are correlated with cheating. One area where there does appear to be a correlation is with interest in the subject and cheating. If a student isn’t interested in the subject, then they are more likely to cheat (Anderman & Murdock, 2007). With limited data it is very difficult to accurately predict the “type” of student that will cheat. Instead of trying to identify who might cheat, let’s focus on how we might prevent cheating.

Cizek (1999) did considerable research on strategies to prevent cheating. Beyond the specifics of better proctoring tests, Cizek felt that, “Communication about honest and dishonest behavior is surely critical to deterring cheating” (p. 187). Cizek cautioned that focusing on individual test takers and test givers is not as effective as “…heightening general awareness about the problem, implementing systemic changes, infusing the educational environment with a concern for integrity, and construing responsibility for integrity as the province of everyone in the learning community” (p. 188). According to Cizek, the best strategy to prevent cheating is to make it as clear as possible, what is considered cheating. Faculty can’t just leave this to a statement in the syllabus that they assume students will read. A recent study in Australia found that only 50% of student read the academic honesty policy when it was left up to them (Gullifer & Tyson, 2013). It is important to provide this information and read it with students so we can explain and clarify what is meant by this policy.

Institutions can also clearly inform students of their expectations. Institutions with an honor code that defines expected behavior found cheating decreased by more than 50% (McCabe & Trevino, 1993). Being reminded of the honor code before a test or completion of a paper can also make the agreement more salient and further discourage cheating. Maricopa has a student conduct code and clear information regarding academic misconduct, but an honor code that students sign at the course level may be an additional benefit.

Maryellen Weimer, who writes the Teaching Professor blog, addressed this issue and provided three suggestions for what faculty could do to help prevent cheating. These items were talking more about personal integrity, discussing the bigger implications of academic dishonesty on our society, and to demonstrate integrity by following our stated policies like grading timelines and attendance at office hours (Weimer, 2015). These ideas make integrity and dishonesty a part of the fabric of a course as faculty discuss and demonstrate these ideas.

While we may not feel we have many tools to stop cheating, clearly stating what cheating means in our class, building expectations into an honor code, and ongoing discussions about integrity can help to curb some of the cheating. This ounce of prevention can also be a lot easier than trying to catch and prove that cheating occurred.


 

References and further reading:

Anderman, E. M., & Murdock, T. B. (2007). Psychology of academic cheating. Burlington, MA: Elsevier Academic Press.

Cizek, G. J. (1999). Cheating on tests: How to do it, detect it, and prevent it. Mahwah, NJ: Lawrence Erlbaum.

Encyclopedia of Educational Psychology (2008). Cheating. Retrieved January 3, 2016 from http://www.gmu.ac.ir/download/booklibrary/e-library/Encyclopedia%20of%20Educational%20Psychology.pdf.

Gullifer, J. M., and Tyson, G. A., (2013). Who has read the policy on plagiarism? Unpacking students’ understanding of plagiarism. Studies in Higher Education, 39 (7), 1202-1218.

McCabe, D. L., & Trevinko, L. K. (1993). Academic dishonesty: Honor codes and other contextual influences. Journal of Higher Education, 64(5), 522-538.

Miller, A. D., Murdock, T. B., Anderman, E. M., & Poindexter, A. L. (2007). Who are all these cheaters? Characteristic of academically dishonest students. In E. M. Anderman & T. B. Murdock (Eds.), Psychology of Academic Cheating (pp. 9-32). Burlington, MA: Elsevier Academic Press.

Weimer, M. (2015). Promoting academic integrity: Are we doing enough? Retrieved on December 22 from http://www.facultyfocus.com/articles/teaching-professor-blog/promoting-academic-integrity-are-we-doing-enough/

Whitley, B. E., Jr. (1998). Factors associated with cheating among college students: A review. Research in Higher Education, 39 (3), 235–274.

Image from Vozach1234

 

Appreciations – Driven Home by a Sixth Grader

To the logical, pragmatic, no-nonsense, Type-A personality that I am, the concept of appreciations in storytelling (or teaching) was initially lost on me. It felt like a “nicey-nicey-fluff-give-them-positive-first-but-doesn’t-help-teach-them-or-move-them-to-change” process. Why not just tell them what they need to change? Enough of the touchy-feely stuff. Give them meat to chew on.

My first formal storytelling teacher kept giving people appreciations in class, no suggestions or critiques, just appreciations. And he really meant it too. It wasn’t just lip service. I thought this was OK for the first few weeks of class, but when was he going to get to “telling people how they need to change and improve”? As the weeks went on, I began to try to follow his lead. I was quite surprised to find that it was easy to find something to appreciate about every telling.

Then I attended a workshop with long-time teller and storytelling coach. He spoke of how his father gave him constant praise, even for the smallest things, from birth, and throughout his life. It made me think of my own father who could pick out the one mistake I made and focus on that negative aspect of my effort. It made me think about my eighth-grade teacher who embarrassed me in front of the whole class with his condemning critique of a book report I had written. It made me think of how I critique both others, and myself.

A small part of me, the therapist and a mediator, began to understand appreciations, at least on a psychological level. Reinforcing positive behavior helps people repeat that positive behavior. I began to make a change. I tried to “give praise” wherever I could. I was conscious of really looking for the positive aspects of what I saw, and letting people know what I appreciated about what they had done.

Then I met Anthony. Anthony was a cherub-faced sixth grader at a school I visited to tell stories and talk about storytelling. The students had already done some storytelling and the teacher wanted the class to demonstrate to me what they had learned. Anthony eagerly raised his hand and volunteered to be the first to tell his story.

He stood before the class and began. He was a little nervous, but told a good story. Oh, he paced back and forth and didn’t always face forward and look at his audience. And as he was telling, it hit me like a ton of bricks: Anthony was me!

Yes, I did see myself in that eleven year-old boy; eager, creative, excited, longing for acknowledgment and praise. I thought, how can I say anything negative about his telling? What good would that accomplish? I felt that even one tiny “constructive suggestion” might bruise his young ego and only send him into a labyrinth of self-doubt. And then the second wave came over me. Are our adult egos any less fragile than Anthony’s? I think not.

It was then that I began to understand appreciations on an emotional level. There have been adult students and colleagues who have said, “Just tell me the bad things.” I, myself have even said that in the past. And yet, behind the bravado that purports to be strong and only wants a critique, stands a delicate ego, deeply longing for praise and acceptance. And it is the praise and acceptance that supports their growth and learning.

So the next time that you hear someone tell a story, have a student give an answer, have a student try, I hope you see Anthony…
and then, perhaps, yourself… and then give an appreciation.

 

Believe You Can Float!

As a Storyteller, I go to as many workshops and conferences as I am able. Learning more about my craft is an ongoing quest. Recently, I had the opportunity to attend an all-day workshop with international Storyteller and Mime, Antonio Rocha (pronounced “hosha”), originally from Brazil. Antonio is an incredible performer. I swear that I have seen him “float”!

At the beginning of the workshop, Antonio asked each participant to voice what they hoped to get out of the day. In addition to some specifics, I said, “Oh yeah, and I want to learn how to float!” Antonio’s response set the tone for the whole day: “The first step is to believe you can float!”

There were many things that I learned and gleaned from the workshop, but one of the most important, and most revealing was the actual “coaching” that several people got from Antonio. As each person told their story, I had my own ideas about how they were doing, and what might be helpful. It was quite amazing when Antonio’s suggestions affirmed my own thoughts. To be “in sync” with a master that I admire confirmed for me that I was “on the right track” with my own assessments.

Then came my turn to be coached by Antonio. Try as I did to affect what I had already learned from the workshop, I was not completely successful. Antonio was gentle and affirming in his suggestions for me, “You can do this. Believe you can!” It was in the “doing” and putting myself out there that I learned the most.

My advice to all who wish to improve themselves, in whatever endeavor: study, learn from the masters, get coaching from a trusted and admired mentor/colleague.

The first step is to believe you can!