Category Archives: advice

I’m not a Teacher, I’m a Storyteller | A Story

This may not be a radical idea… in fact, there are several fantastic articles on the topic I’ve linked below from others like me. But to a first-semester adjunct, this story I’m about to share was a groundbreaking moment of discovery, something we weren’t taught in “teacher school.”

This is a story about identity, development, and collaboration, and what it means to teach in collaboration with students.

I am not a teacher.

I was once asked in a marketing class to describe myself in one word, which is an impossible task for anyone who knows me. I’m an actress, a facilitator, a technology nerd, a stuntwoman, an entrepreneur, a caregiver, a DIYer, and a lifelong student with an endless list of interests. My degrees and certificates span culture, art, and technology, reflecting my refusal to decide what I want to be “when I grow up.”

But when I looked at all of those mismatched puzzle pieces, I realized they were all doing the same thing: telling or engaging with stories about people, ideas, systems, and experiences. So, I claimed the identity that fit all of them.

I am a storyteller.

No real big surprises there!

In my late teens, I was genuinely confused when a close friend asked if I’d ever considered teaching, after I’d given a laundry list of careers I was determined to have in my lifetime. Teachers, in my mind, were patient, gentle, steady, and meticulously organized. They were nurturers and experts. They were Ms. Frizzle, Gandalf, and Yoda made real. Don’t get me wrong, I was good at facilitating workshops; it was something that had sparked this recommended career path. However, a sixteen-week class felt apocalyptic for my hypothetical students, and for me. I was going to get attached, I was going to be a fixer of problems, I was going to hold them to too high standards, I was going to be a chaotic ball of energy with a little too much enthusiasm for the most mundane topics. I am a Storyteller, not a Teacher. I had some of those magical traits, but not enough to even consider the title, let alone the position.

Nearly seven years later, a coworker suggested I gain classroom experience if I wanted to become an instructional designer. I nodded politely while internally panicking. I loved the idea of giving back and sharing what I’d learned, but the same thought echoed in my head: I wasn’t a teacher. I could share my experience, I could show, listen, and explore with them. But was that enough?

Then, by a twist of fate, I was asked to fill an emergency opening to teach Photoshop. A program I’d been using for years, and one of my favorite classes I’d taken as a student. To be honest, I think I was already drafting an email asking for a course shell before the acceptance email fully left my inbox. I was excited about the opportunity to design a learning experience; the reality of “teaching” hadn’t quite hit me yet.

I started building something I’m passionate about. I can disappear for hours in a module, reworking, reorganizing, researching content, aligning, and anticipating. It was pure heaven as I built this world for my students to come play in with me. I started worldbuilding. The competencies became plot points. Each module became a chapter. I imagined my cast of characters (students) before I met them. I could see each of them: the non-creatives, the already-proficient, the ones relying on the Computer Commons to complete their work. I adjusted due dates. I planned support. I made sure my characters had what they needed to take this long journey with me and prepared myself for them to surprise me and help me revise my ideas as they grew.

On the first day, I walked in ready to play the role of “teacher.” I had taken classes on the art of teaching. I knew how to explain things. I had a color-coded “script” (lesson plan). I was so ready.

Nothing inherently traumatic occurred during that first class (despite every technical issue imaginable). We went over the syllabus, opened the program, and started exploring together. I asked questions and used my energy to draw the students out of their shells. It went (objectively) very well. I’d been told over and over again, “Facilitators aren’t Teachers”, and I internalized that meant I didn’t belong in this space. But that’s okay, I’m an actress, I’m used to playing in spaces that aren’t my own… but my identity as a Storyteller also informed my feelings over and over again… I wasn’t a Teacher. I walked out of that first class feeling like a facilitator who had just run a great workshop… but that wasn’t enough. The disconnect felt palpable, but I couldn’t put my finger on what was holding me back. It came back to identity. I’m not a teacher; that must be why this nagging feeling of “wrongness” was creeping in. Real teachers don’t feel like this!

I struggled for weeks with the tension between who I thought a teacher was supposed to be and who I was when I taught.

Then one week, exhausted and defeated, I “gave up” the fight to lean away from my facilitator roots. We were discussing typography, specifically kerning, when a student asked, “Is that why the Skyfall poster looks so weird?”

I could hear the angel chorus start to ring as I paused the lesson. We pulled the poster up, and sure enough, the letter spacing was dramatic. I dropped the poster into Photoshop and demonstrated how we would adjust the kerning in real time. The room changed instantly, and I’ll never forget the excitement as students dove for their keyboards to find more examples. This was the magic of improvisation I felt every time I presented a workshop, facilitated open conversation, and led with the story.

It was a frantic, somewhat chaotic moment as we found momentum in the uncharted territory, but it felt like settling into a familiar space.

Suddenly, we weren’t talking about fonts; we were examining how we, as humans, relate to shape, weight, color, and spacing, and using storytelling to do it.

I abandoned my carefully crafted PowerPoint. I scribbled the vocabulary and key points on the board. Students Googled their favorite posters, albums, advertisements, etc. We analyzed them together to see what worked, what didn’t, and what the design communicated about character and tone. How what we were learning popped up in the real world and (more importantly) how learning this tool would inform their future design work. They used the vocabulary. They debated the meaning. They connected design choices to narrative intent.

At the end of class, they sat outside in the commons, still talking about font pairings and correcting one another, using the language we’d just learned. Their work that week left a huge smile on my face. They didn’t just “get” the lesson; they internalized it. They were making creative connections and using examples from class and from their own research to do it.

The students connected to the story in a way they hadn’t to a more traditional style of curated, guided instruction. They were finding personal application and discovering motivation through the momentum of exploration.

The next week, they were still referencing those posters while discussing color theory. Their assignments showed more care, more intention, more thought.

That’s when it clicked.

I wasn’t failing at being a teacher by facilitating.

I was succeeding at being a storyteller.

I wasn’t delivering information; I was facilitating the journey toward discovering meaning. I was connecting lived experience and observation to new knowledge. The course wasn’t broken (and I wasn’t broken). I didn’t need to become someone else.

I didn’t have to become a teacher.

I just had to tell the story and invite the students to make the lesson a part of their own journey.

I’d built the world already. I knew who my students were and what they hoped to get out of the class. I just needed to guide them in the right direction and build momentum toward discovery.

Now in class, every session started with a rehearsed PowerPoint-based launching point to set our foundation… and then I turned the students loose on the topics with guiding questions: “So where have you seen this?” or “What does this remind you of?” or (their favorite) “Walk me through this concept/tool/idea.” Every class is an adventure (literally and figuratively). There were a few times we found ourselves on the edge of a rabbit hole, and I had to pull us back on topic, but the energy in the room was incredible. The collaboration and exploration were infectious… and I had so much fun witnessing it.

So, to me, a teacher is a little like the “Wise Guide” archetype, providing wisdom and experience for a hero and their journey. But this Guide doesn’t have to tell their Padawans all the answers or hit every bullet point on the lesson plan with perfect phrasing. They paint a picture, create a world, tell a story, and lead students through key concepts toward the big “aha!” moment at the end.

Teaching is storytelling.

There is no one type of teacher, just like there isn’t one genre of storytelling.

Every great teacher is a master at facilitating learning in their own way, showing students how to make meaning and breathe life into a concept by guiding them through the world (content) we love, helping them fight dragons (challenges), and watching as they become the heroes of the story (making independent meaning).

Deeper Reading (Storytelling as an Educational Tool)

The Educational Benefits of Storytelling
The Power of Storytelling to Facilitate Human Connection and Learning
The Value of Storytelling as a Learning Tool

The Digital Blind Spot

When Dr. Michelle Yeo discussed content knowledge blind spots, my mind went toward one of the biggest hurdles some students face: the digital divide. For those unfamiliar with this access challenge, the digital divide is a term used to describe those individuals, communities, or even regions that do not have access to digital technologies. This occurs when students do not have smartphones, computers, tablets, or even access to the internet or have limited experience with these devices. This divide usually consists of issues with access, skills, and/or how it is used. This leads directly to the blind spot I have had to address: digital literacy. 

Digital literacy is a content area that can fall within several majors differently. The basic understanding involves effectively using digital tools and technologies and using critical thinking skills around those tools, content, and technologies. As an English Composition faculty, the sub-category of information literacy and critical thinking around digital content was a blind spot for me. One of the course competencies for my English Composition courses is to generate, format, and edit writing using appropriate technologies. I entered my classroom believing students would be familiar with basic word processing skills and understand how to use Google Docs or Microsoft Word and certainly the use of Canvas. I thought students would be more familiar with the technologies and know how to use the programs better than I would. I was wrong. 

I have been teaching in technology-rich environments for over 20 years, long enough to forget that not everyone has access to or has grown up with these tools. It is easy to forget that being young doesn’t automatically make someone tech-savvy, and being older doesn’t mean someone is tech-averse. It is also easy to forget that my access to technology over the past 20 years is not equal to that of other people, whether students or faculty.    

What I came to realize is that the appropriate technologies, as it is termed in the competencies, are something I am expected to teach. Assuming that students have an awareness of or access to the technologies was my issue, not theirs. So, a change needed to be made. 

This awareness has transformed my teaching approach. I no longer make assumptions about students’ comfort levels with technology. Instead of just listing the digital requirements in my syllabus, I build in time to orient the students to the different technologies at the appropriate time in the semester. I support the students so they don’t feel overwhelmed by the technology, and I never choose a “one-and-done” tool. I scaffold the technology into the lessons so that it becomes a literacy element and provide skills support for those who feel challenged.  

I have developed several practical strategies to address this blind spot. At the start of the semester, I conduct an anonymous survey about students’ experiences with various digital tools I regularly use in my classes. I have curated short tutorial videos for everyday tasks, such as Google Docs or Canvas features, that I expect students to know. If more than one student asks a technology-based question, I create a short tutorial or walkthrough video and post it to the announcements for every student. I also offer students time in my student support hours to review any digital tools as we begin using them. I have incorporated weekly reflection journals that provide the students a back channel to share challenges and recurring issues. I have reviewed my technology use on a semester-by-semester basis to make sure I am not providing an unseen barrier. Most importantly, I make it clear that questions about technology are just as valid as questions about the course content and provide an avenue for anonymous questions to encourage them to ask.    

The main thing to remember is that blind spots are natural, and recognizing a blind spot makes for a better teacher. Regularly stepping back and examining assumptions about what students already know helps to improve the approach and the lessons. And, asking for student feedback through anonymous means reveals more than you might expect. 

Confessions of a people pleaser

Advice on how to deal with difficult conversations in the classroom or workplace? Here’s a tip: Don’t follow my lead. I could write a textbook about how to be a people-pleaser and a doormat. I could have been the poster child for how not to stand up for yourself. But, that’s changing…

In the past year, my rose-colored glasses started to crack and now they have pretty much shattered. Surprisingly, I am OK with this. It’s almost a relief. Maybe it was turning 55. Maybe it was a book I read. Whatever prompted the breakage, I’m not overthinking it. I’m just grateful for the epiphany.

Even without my pink lenses, my default reaction still looks for the warm and fuzzy side of any problem. But at least now I recognize my inclination and try to redirect. Difficult conversations?  I always had rosy ideas for those. My go-to attitude was always to make everyone else feel OK. Five decades of people-pleasing is a hard habit to shake. But I’m starting to adjust to my new non-rose-colored view. I guess most people just call it reality. I call it liberating. 

Now I realize that most of my life, I avoided difficult conversations with the intention of sparing others bad feelings or preventing an argument. I was a wimp. My rose-colored shades kept me weak and in pain. Today as I write this, I’m still in the beginning stages of recovery from my rose addiction, but I’m getting stronger. I like the view from where I am, without people-pleasing eyewear. It’s not perfect, but it’s a lot less painful. 

Difficult conversations? Now I just call it communication…

A writer writes about writing

Writer’s block prompted me to search for an idea for this week’s post. I turned to the poetry of Alberto Rios, 2013 Arizona poet laureate. In his poem An Instruction to Myself, I found my inspiration. Rios defined the task of a writer in the first line. His instruction suggests we “Shepherd the things of the world to the page.”

I love his word choice. The verb shepherd communicates such a gentle guidance. Now I can visualize gently guiding my thoughts into words. Thanks Alberto.

I met Alberto Rios last semester when he spoke here at GCC. He read the following poem. Perhaps sharing is the ultimate gift of a writer.

When Giving Is All We Have

Alberto Ríos 

One river gives
                                              Its journey to the next.

We give because someone gave to us.
We give because nobody gave to us.

We give because giving has changed us.
We give because giving could have changed us.

We have been better for it,
We have been wounded by it—

Giving has many faces: It is loud and quiet,
Big, though small, diamond in wood-nails.

Its story is old, the plot worn and the pages too,
But we read this book, anyway, over and again:

Giving is, first and every time, hand to hand,
Mine to yours, yours to mine.

You gave me blue and I gave you yellow.
Together we are simple green. You gave me

What you did not have, and I gave you
What I had to give—together, we made

Something greater from the difference.

Impostor Syndrome

In January, Maricopa Community Colleges held the 2020 Faculty convocation.  There was a lot of discussion about student success, supporting our students, and inclusiveness.  I was fortunate enough to present at the convocation and in doing the research I did to prepare for that presentation, I came across some interesting points that I would like to share with you, gentle readers, in my first blog post for the Write 6×6 Challenge.  

I would like to talk to you about impostor syndrome.  

The tendency to “discount or diminish the obvious evidence of our abilities” is called impostor syndrome, impostorism, or impostor phenomenon.   It is an inability to self-assess and is tied to diminished self-confidence and self-efficacy. How did I connect this to the convocation?  Well, we were discussing student success and inclusiveness and my research took me in an unexpected direction.  Impostor syndrome “disproportionately affects women and minority groups,” leading some researchers to identify impostor syndrome as a symptom of inequity. That said, the most recent studies suggest that anyone can be affected.  Impostor syndrome is more common in STEM and male-dominated fields.  It is more common when the person is not a part of a larger group or feels left out of the group.  And, it is a condition that affects some students and some teachers. Mature students can suffer from impostor syndrome, especially if they are first time attendees or have a sense that they don’t belong. Students who suffer from impostor syndrome can struggle with their courses, make poor career choices, and can become socially isolated.  It has even been linked to burnout, in part because “owning and celebrating achievements is essential if you want to avoid burnout”. As impostor syndrome occurs despite external validation and feedback, no one is immune. 

However, my research also found that our institution has the means to support these students academically and personally. Students who are offered support through mentors, professors, and institutional programs, are less likely to experience impostor syndrome.  Building positive relationships with the students has a direct impact on their academic performance, and minimizes the impact of impostor syndrome.  If you see a student who seems to be struggling with the issue of impostorism or find yourself falling into that pattern, reach out for assistance. Don’t try to go it alone.

I don’t know about you, but I have had several students over the years who have clearly fallen victim to the cycle of impostor syndrome.  I wish I had known a little more and had better ideas about how to help them. So, using the information I have found in my research, I have created this infographic to better explain the issues of impostor syndrome and how to defeat the phenomenon. The infographic has clickable elements for even more information. 

In case the embed code doesn’t work, here is the link.

I hope you have found this helpful. As an aside, I am setting a personal goal to create an interactive element, or an infographic, for each of the topics I work on for the 6×6 challenge.  That should make things a little more colorful for me as I am working. Let’s see how I do. See you next week.

A Few Resources Used

  1.  Cox, Elizabeth. “What is Imposter Syndrome and How Can You Combat it?” 28 August  2018. Retrieved from https://youtu.be/ZQUxL4Jm1Lo
  2. Ford, Knatokie. “Defeating the inner imposter that keeps us from being successful.” Tedx Talks. 22 February 2017. Retrieved from https://youtu.be/J9PgY1mbPgM
  3.  Le, Ling (2019) “Unpacking the Imposter Syndrome and Mental Health as a Person of Color First Generation College Student within Institutions of Higher Education,” McNair Research Journal SJSU: Vol. 15 , Article 5. Available at: https://scholarworks.sjsu.edu/mcnair/vol15/iss1/5
  4.  Mullangi S, Jagsi R. “Imposter Syndrome: Treat the Cause, Not the Symptom.” JAMA. 2019; vol 322 issue 5, 403–404. doi:10.1001/jama.2019.9788
  5. Parkman, Anna. (2016). The Imposter Phenomenon in Higher Education: Incidence and Impact. Journal of Higher Education Theory and Practice. Vol. 16. 51-60.
  6. Pinto-Powell. “Impostor Syndrome: Not Exclusive to Women.” Inside Higher Ed. 20 December 2018. Retrieved fromhttps://www.insidehighered.com/views/2018/12/20/what-colleges-can-do-help-students-avoid-impostor-syndrome-opinion
  7. Preville, Philip. “How to Help Students Overcome Impostor Syndrome.” Trends in Higher Education. Top Hat Blog.  12 June 2019. Retrieved from https://tophat.com/blog/student-impostor-syndrome/
  8. Wilding, Melody J. “5 Different Types of Imposter Syndrome (and 5 Ways to Battle Each One)”  The Muse. Retrieved from https://www.themuse.com/advice/5-different-types-of-imposter-syndrome-and-5-ways-to-battle-each-one
  9. Young, Valerie. “Thinking your way out of Imposter Syndrome.” Ted Archive. 5 June 2017. Retrieved from https://youtu.be/h7v-GG3SEWQ

Don’t Mind Me. I’m Just Breaking the Rules

I know you’re reading this, but technically this post does not exist. I love Write6x6, but since I’m on sabbatical this year, I can’t participate in any on campus activities. Hence why you are not really seeing this post.

But I could not resist posting about my inspirations for who I am today. No doubt it is those who came before me and had the responsibility to coach and/or supervise me. I was an athlete growing up; pretty much still am to this day, so I’ve had many coaches along the way. And when I started teaching, I realized that department chairs served in much the same capacity as a coach for teachers. My first teaching job was at Deer Valley HS way back in the day. My first chair’s advice to me was: “I’d rather you beg for forgiveness than ask for permission.”

Well, I took that advice and ran! I thought she was crazy, but if that is how she wanted to play it, I was game. The quote is attributed to Rear Admiral Grace Hopper. The idea is not that you abuse the situation and just do whatever the heck you want. It’s meant to encourage others to go for things if they truly believe in it. A lot of good ideas go by the wayside because it’s too complicated to figure out how to get permission. Hopper believed “If it’s a good idea, go ahead and do it. It is much easier to apologize than it is to get permission.” So it’s really about knowing when to push the boundaries.

In my 30 years of working in education, I’ve learned that there are a lot of naysayers, those who can’t think outside the box and just want to follow the status quo or their perceived rules. It’s a wonder we get anything done sometimes, but I think it’s those that push the boundaries and take risks, and often have to beg forgiveness, that help move things along and drive innovation. So that has pretty much been my motto and way of life for the last 30 years. Luckily I didn’t have to do a lot of begging.

So I’d say I was inspired by that first chair, and because I took her advice, I think it shaped who I am today as an educator. It opened up lots of opportunities I may have never gotten had I asked for permission first.

Cheers to Jeanne Sabrack who now teaches adjunct at Scottsdale Community College.