Category Archives: explain everything

A Balancing Act

A Little of This – a Little of That

One of my goals as an instructor here at GCC is to improve students’ listening skills. Most of the time I do this without them consciously knowing it. That sounds rather odd. It’s not that they aren’t conscious, but they may be distracted — paying attention to other things — while improving their listening at the same time.

I ask questions that I hope will make them think about what they listen to in their every day life. I ask them to describe what they are hearing and what their first reactions are. I’ve found if I can include visuals they will listen a lot longer and understand more clearly what the music is trying to convey. I have discovered that students start paying more attention to everything that is part of their listening day, and that is my intention.

One of the questions I often ask is “Do you listen to orchestral music?” Most students answer, “No, never.” I then talk a little about film. Do they watch films? Again, most of them say, “Oh, yes, I watch movies all of the time.”

With that they usually realize that they have listened to lots of orchestral music. Here’s an example: Composer John Towner Williams (we have learned through trial and error that there are a lot of ‘John Williams’ out there so I have become accustomed to using his middle name just to make sure we are all talking about and listening to the same guy), who has had the temerity to scare us out of the water, share the feeling of flying under all sorts of conditions, whether on a broom, a bicycle, or as a bird, and show us the martial qualities of The Dark Force. I chose this clip because of the content, the audience reaction, and, in this case, not for the visual images, which are slightly blurry. The answer to your question about the first instrument you see is – a contrabassoon. This is as iconic as Bernard Herrmann’s strings in Pyscho, but I digress. One of these days someone will re-master it and it will be clear — but in the mean time, I dare you to stick your toe in the water….

Williams’ Jaws

Known for many different kinds of music, Elmer Bernstein’s music has been patriotic and poetic. Here is a well-known theme. I usually choose something from the film “To Kill a Mockingbird,” but you should all be familiar with this.

Elmer Bernstein’s National Geographic Theme

There are a number of others I could have included if we were learning some specifics, but I thought it might be interesting to simply poke a little fun with Vangelis:

Mr. Bean with one of my favorite conductors – Sir Simon Rattle

I hope you enjoyed the listening.

Apologies for any advertising that may have appeared. In Canvas this does not show up.

 

Can We Live Without Risks?

A statement someone made recently jumped out at me. They said they rarely take risks. I was amazed. I consider myself a very careful person, but I often feel like my risks are the challenges I take on. Of course, I’m not talking about doing anything like this!

Perhaps it’s the definition of the word risk [enter student’s clichéd discovery of dictionary definition to make written assignment longer]. Wink

I see risk as a transition and an opportunity. Now, if the risk doesn’t have that element, I won’t do it. In some ways, we all take risks every day. There are certain risks I simply won’t consider, the consequences are just too costly.

Professionally, I was always taught to say ‘yes,’ if you want to work. People want to know that you will say ‘yes,’ when they ask. It saves time for those hiring. That’s a musician’s point of view. It’s the way you keep getting more opportunities – or, for those who prefer less formal constructs – How you get more gigs. Regrets, yes, certainly. I said ‘no’ to a really good opportunity, which was a risk, because I was just getting married (hence, already in the midst of a transition) and didn’t want to spend my honeymoon thinking about the project and risking the beginnings of our marriage… I’ll always think about where that job might have led. But see, once again, I keep going back to the positive-negative balance of risks.

And I’ll admit to some positive/negative possibilities. I’ve walked into a classroom and spoken completely ‘off the cuff,’ which is definitely a risk. It’s not that I hadn’t thought about it. I had. I know my subject deeply. Some of those have been my most inspired lectures, but occasionally, they have not. It’s a risk.

How about classroom management? I had a student who sat in the front row of class and never took a note. (This is a room that is set up as a lecture/recital hall, so down in front is noticeable.) In fact, he came in without anything – no books, no notebook, no pen/pencil or computer. Nothing. An instructor would assume he didn’t come prepared for class. And we’ve all had those students who obviously weren’t. Did I mention this was a long lecture format? The class was two hours and twenty minutes long. Should I say anything to him? He wasn’t disruptive, and he did well in the subject. One day he came in with a Rubik’s cube. I saw it, but chose not to say anything. As the lecture was finishing I just happened to look over at him. He subtly showed me his work by merely opening his hand. It was finished, and it was perfect. He hadn’t been disruptive to anyone, he didn’t show anyone else, I hadn’t been interrupted by what he was doing, but it allowed him to concentrate on what we were talking about. A risk, and a reward.

Deeper Risks

I could stop there, because it would be a great place to end – but I’m going to “risk” it and go heavy. As I mentioned earlier, we take risks every day. Driving, flying, walking down a set of stairs, saying something that you wish you hadn’t. I never discuss politics. I’ve gotten to where I rarely offer comments – especially to the entire world on any of those fronts.

But I’m going to include the world community and the risks people are facing today because we need to be talking about this in our classrooms. These are the ultimate risks because they are about basic human needs. This is not something that is happening somewhere else. It will ultimately affect us here. I was just reading an article about the fact that many Russians are also leaving their homeland, just as many Ukrainians are – except those who choose to fight. There is a general surge of people trying to survive with some semblance of their lives intact. In the article, the author referred to a family’s current residence, a shared room with three mattresses on the floor. The people had a roof, they had mattresses, a floor, running water, and they still had some money. They had been well-to-do so such living conditions would not have been acceptable in their previous life, but under the circumstances they knew they were lucky. They calculated the risk and felt they’d come out ahead considering the cost.

I first saw evidence of the collapse of the Soviet Union in the 1990s in Sweden. I ended up working with two Russian musicians as part of a Swedish quartet. There were interesting cultural flare-ups that surprised me. But like other recent mass emigrations, everyone was, and had been, fleeing for their lives. It’s amazing what we are willing to risk when we feel that we have little left to lose or too much to lose – our lives or our children’s lives.

In Estonia, ten years after the last Russian troops slowly left, I moved there, and in my research I learned more of Stalin’s ’round up’ of people. Sometimes there were lists, sometimes just numbers. ‘Take this number of people. I don’t care who.’ They disappeared or went to gulags. Often, no one ever knew whether they were killed outright or just never seen again. How can you live with that threat? I was part of an interview team to determine whether a young Estonian man would study in the U.S. when he talked about the importance of the NATO alliance to his country. I knew about NATO. It also meant, in couched terms, the U.S., from where funding came for this prestigious scholarship. I occasionally thought about NATO – but not to the extent that this young man understood it because the Estonians had few defenses against the Russians on their shared border. We, as Americans, have the luxury of a different point of view.

Before I sign off, I want to mention that moving people, their craft, their professions, their influences, and their cultures affects everything. It affects the arts, music, the humanities, science, technology, engineering, people, and even education. Would you stay or would you go? Ultimately, when we talk about risks, these are the most critical risks to discuss. I truly believe as educators everything we do counts, but we are also lucky that we can talk about risks that are so relatively ordinary when others face risks that are so tremendously devastating.

 

Remote Teaching: More Questions Answered

So I’ve gotten a few more questions from faculty about moving content online. The questions are good questions indicating that they have the right idea about adding audio and video. After posting on Instagram about using my iPad in some of my videos, Mary wanted to know if I could record live using Notability in a Google Hangout. I don’t usually do it that way, but I was curious too, so I tried it. Notability is a notetaking app on the iPad. It works like a digital whiteboard if you have an Apple pencil. I use it to show students how to correct errors in their papers. I’ll pull up a document that has sentences double spaced and use my pen to show how you can add a comma and conjunction to a run-on sentence and make it a compound sentence, for example. I usually just do these alone and record the screen using the built-in recording feature on the iPad. I can also do the same thing using Explain Everything Whiteboard, but that is not free ($25).

Anyway, this method of recording videos is perfect for the instructor who likes to write on the board while teaching. I don’t do that often, but when I do students like it. Here’s an example of How to Write a Basic Essay that I created in Explain Everything. Now back to Mary’s question. Yes, you can log into a Google Hangout Meet session on your iPad, start presenting, open the Notability app and start writing. As I tried this, I was also logged into the webinar on my desktop and could easily see what was going on on the iPad. I might have to try this in my next webinar class.

iPad and computer screen
Presenting from Explain Everything on the iPad in a Google Hangouts Meet session.

Another media question I got today was about recording audio in a Canvas quiz. Yes, you can do that. Canvas is good at giving the ability to record audio and video either from within Canvas or uploading it from your computer. Most already know you can record audio and video in assignments and pages, but even I didn’t know about adding it to quiz questions. So when you’re setting up your quiz and you add a question, just click the “record/upload media” button on the menu bar. You can record right there in Canvas or you can upload a file recorded earlier on your computer. This is a good solution for a class that is learning pronunciation or a foreign language.

The rest of the questions I got today were about the extended delay for beginning face to face and hybrid courses. I think the messaging just confused everyone who worked their butts off to be ready for next week and now we have to delay. It’s really not fair to those who are teaching 8-week courses that were to start this week. Essentially they are not only moving the content online but now they have to teach it in 5 weeks. That’s crazy. We don’t even teach 5 week online courses in the summer in our department. My advice was to just start now if you’re ready. Students will do what you tell them if you help them. I have two hybrid courses that didn’t skip a beat. We are moving on as planned. They’re showing up to webinars, submitting work, and asking good questions. We’re going to get through this and finish on time.